I came across a London Review of Books piece about fan behavior in China that stuck with me—specifically the intensity of these cyber fights happening online. What struck me most is how these conflicts feel orchestrated despite not being state-sponsored; there’s this top-down quality to them that’s hard to pin down. Reading about Inside China’s Warring Online Fan Groups made me realize I’m observing something from the outside, but the parasocial relationship component is fascinating enough to dig into.

I find myself thinking a lot about fandom and cults—the way people behave in ways that look crazy from the outside, how Social media encourages high conflict at scale. The thing about these Chinese fan communities is that they’re not some aberration; they’re an extreme version of dynamics we see everywhere online, just more visible and perhaps more coordinated. There’s a structural element to how these fights organize themselves, which connects to something deeper about how digital spaces shape collective behavior.

What makes this different from typical online drama is the sense of orchestration without a single puppeteer. The Rage, Love, and Loneliness Behind China’s Toxic Sports Fandom gets at this—these aren’t just random arguments but expressions of something that matters to people in ways we might not immediately understand. The parasocial relationships at play feed into Firing up your own people internally, creating these cycles where fan groups mobilize against each other with an almost institutional efficiency.

I’ll always be an outsider looking in, but that doesn’t make the effort to understand pointless. Reading scholarship like Digital Fandoms and the 227 Incident: A Case of “Cancel Culture with Chinese Characteristics” helps me see how The biggest audience for stand up in China is young millennial women and other demographic realities shape online spaces in ways I need to learn about. The more I understand what drives these fights, the better I can see how digital culture works differently across contexts.